Michael Winterbottom directs this graphically violent thriller based on the novel by Jim Thompson. Casey Affleck stars as Deputy Sheriff Lou Ford, a pillar of the community in the small Texas town of Central City. However, Ford is not quite the upstanding citizen he appears to be, as becomes apparent after he is ordered to evict local prostitute Joyce Lakeland (Jessica Alba) and ends up embroiled in a torrid affair with her. When his fiance Amy (Kate Hudson) becomes suspicious, the consequences are bloody and brutal as the dark secrets of Ford's past are finally brought to light.

All 23 episodes from the second season of the American detective series. Patrick Jane (Simon Baker) is an independent consultant with the California Bureau of Investigation, who has the remarkable ability to solve serious crimes using his razor-sharp observational skills. Episodes are: 'Redemption', 'The Scarlett Letter', 'Red Badge', 'Red Menace', 'Red Scare', 'Black, Gold and Red Blood', 'Red Bulls', 'His Red Right Hand', 'A Price Above Rubies', 'Throwing Fire', 'Rose-Coloured Glasses', 'Bleeding Heart', 'Redline', 'Blood in, Blood Out', 'Red Herring', 'Code Red', 'The Red Box', 'Aingavite Baa', 'Blood Money', 'Red All Over', '18-5-4', 'Red Letter' and 'Red Sky in the Morning'.

This book centralizes powerful leisure stories that may otherwise be understood as myths-sometimes recognized, often less so-that circulate in the field of leisure studies and beyond. In everyday use, a myth perpetuates a popularly held belief that is false or untrue. However, in social and cultural theories, myths are more complex as partial truths that privilege particular versions of a shared social reality. We see myth as having an "absent presence" in leisure studies, and want to know what myths are, what they do, and how they circulate and shape people's leisure lives. Myths can do more than obfuscate; they often animate people's lives, motivate collective action, and inspire change. As the chapters in this edited volume explore in further detail, leisure myths and mythmaking involve complex relations in the gaps between reality and imagination-from the shared myths of musical legends to myths of placemaking and communities, as well as from origin myths of sport practices to fantasy and festivals, to the importance of storytelling as mythmaking in tourism. In different ways, each of these chapters alerts the readers to the "absent presence" of myths and mythmaking in leisure research. The chapters in this book were originally published as a special issue of Leisure Sciences.

The definitive monograph on the iconoclastic painter George Condo. With his arresting, unsettling style, George Condo emerged out of the dynamism of the New York art scene in the early 1980s, and he has been restlessly painting, drawing and sculpting - bringing forms into the world in one way or another - ever since. With his 'fake' Old Masters, reconfigured Manets, impossibly intricate paintings that seem abstract only from a distance, fractured and multifaceted 'psychologically Cubist' portraits, and the orgiastic misdemeanours of a host of butlers, bankers and priests, Condo has invented, mastered and expanded not just one painterly language but an entire lexicon. Working closely with Condo, Simon Baker has combined biographical, chronological and thematic approaches to survey the artist's work and career to date. An introductory essay on Condo's contradictory nature and a chapter exploring his phenomenal early career are followed by three thematic chapters that look at the years from 1984 to the present, tracing Condo's systematic reconstruction of the techniques of painting, exploring his relationship to the concept of abstraction, and probing the darker side of his psychological iconography in drawing, painting, sculpture and writing. George Condo is the definitive monograph about a unique artist that will appeal to artists, art students and those with a general interest in art.

BIOS Instant Notes in Microbiology, Fourth Edition, is the perfect text for undergraduates looking for a concise introduction to the subject, or a study guide to use before examinations. Each topic begins with a summary of essential facts-an ideal revision checklist-followed by a description of the subject that focuses on core information, with clear, simple diagrams that are easy for students to understand and recall in essays and exams. BIOS Instant Notes in Microbiology, Fourth Edition, is fully up-to-date and covers: * The Microbial World * Systematics * Microbiology * Microbial Growth * Microbial Metabolism * Prokaryotic DNA and RNA Metabolism * Industrial Microbiology * Eukaryotic Microbes: An Overview * The Fungi and Related Phyla * Archaeplastida, Excavata, Chromalveolata and Amoebozoa * The Viruses

Mona Kuhn: Works is the first retrospective by one of the most respected and widely exhibited contemporary art photographers of today. Throughout a career spanning more than twenty years, Kuhn's underlying theme involves humanity's longing for spiritual interconnectivity. She is renowned for developing close relationships with her subjects, resulting in images of remarkable intimacy. Kuhn employs a range of playful visual strategies that reveal glimpses into the psyche as it is expressed through the human form, ultimately reinterpreting the nude in the canon of contemporary art. This new volume features images from throughout Kuhn's career, including previously unseen work, and will introduce her distinct aesthetic to a wide, popular audience. Accompanied by insightful texts by Rebecca Morse, Chris Littlewood, Darius Himes and Simon Baker and an interview with Elizabeth Avedon, the reader is provided with insights into Kuhn's creative process and the ways in which she works with her subjects and settings, and achieves the visual signature of her imagery. Mona Kuhn: Works is an essential volume for anyone with an interest in the human form in contemporary art. With 155 illustrations in colour

An expansive and timely survey on contemporary British photographer and artist Nick Waplington, with work spanning his entire 40-year career – his first comprehensive retrospective volume London- and New York-based artist Nick Waplington uses photography to capture the complex and far-reaching aspects of our lived experience. He rose to prominence in the early 1990s with Living Room and has since become known for his unfiltered depictions of people and places, and the sociopolitical backgrounds that define them. From the chaos, violence, and euphoria of riots, protests, and free parties to the surreal, hypnotic quiet of his large-format landscapes, Waplington’s work (in all its messy humanness) transcends stereotypes and confounds expectations, and this book is no exception. Including never-before-published images, offering new insight into both well- and lesser-known projects, as well as Waplington’s painting and artistic practice, the book opens with a newly commissioned introduction from Simon Baker, one of the leading curators of contemporary photography in Europe and director of the Maison Européenne de la photographie (MEP), Paris. This is the most extensive survey of Waplington's work to date, and includes previously unpublished photographs, as well as paintings, sketchbooks, and other artworks that complement his practice.

Divorced Dad's can make good mothers too- if they have to and these days that is becoming the case more often than not. Furthermore, every Dad, deep in his heart, wants to be the Best Dad he can be but some of the guys out there just don't have a clue as to how to make it happen. They need guidance and this book can provide just what they need. This book contains so much information. It covers cooking right, proper clothing, health, school issues, relationships, weekends, and entertaining. It will really help Dad understand what a child needs.

The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time.